Journal articles: 'Vernacular architecture Buildings Architectural design' – Grafiati (2025)

Abstract:

In recent decades, Iranian vernacular architecture has defined the local architectural identity by demonstrating distinctive characteristics. Defining such a critical role for vernacular studies has led to different approaches in the design of the contemporary architecture of Iran. The first approach of integrating vernacular and contemporary designs has focused on local people, their needs, local construction, and building materials. The revival of vernacular architectural design and building elements has been at the forefront of this approach in Iran. However, recent use in Iran has concentrated on the symbolic/abstract reuse of vernacular building forms. Vernacular architecture is known to merely provide for the functional requirements of buildings, and not for aesthetic purposes. Conversely, in the second approach, vernacular building elements are considered to be symbols of local identity. This paper will argue that although the symbolic reuse of vernacular features may not uphold the functional expectations of the vernacular form, this reuse is useful in reviving architectural identity. In addition, underscoring such a different role for vernacular building features in contemporary architecture might help to expand the realm of vernacular studies. Thus, the purpose of this paper is to provide an overview of the conversion of vernacular architecture in Iran by focusing on the instance of wind-catchers. Wind-catchers typically were used in residential buildings and are considered potent symbols of climate adaptation. In contemporary architecture, however, a form of wind-catcher has been used as a symbol for local architectural identity. Through this transformation, the essential nature of the wind-catcher has found new life in the contemporary architecture of Iran.

Abstract:

As a reaction to the monotonous expression of typical International Style architecture, vernacular architecture is often applied to the design of modern buildings. Unfortunately, most of these applications are limited to copy existing vernacular architectural elements. This research aims to elucidate the application of Sundanese vernacular concepts in modern building designs. In line with this purpose, the Aula Barat (West Hall) Bandung Institute of Technology designed by Maclaine Pont was chosen as the case study. The analysis showed that the Sundanese vernacular concept was presented through the shape of the roof, which is similar to the vernacular house and mosque in the Sundanese village; while the modern lamella construction provides a wide-span structural system. This research complement existing research about Sundanese vernacular architecture, by exploring in-depth how to designed modern buildings that fit new functions and to its zeitgeist, but at the same time embodied the local expressions. It is expected that in the future modern buildings are no longer designed in the form of frozen vernacular architecture. The results of this research can also be a valuable input for stakeholders and architectural conservationists, as well as a source of knowledge for the laypeople.

Abstract:

The name and the achievements of Aleksandar Deroko shine brightly in the constellation of Serbian architectural history. Deroko actively contributed to the Serbian twentieth-century architecture as a distinguished professor at the University of Belgrade, a prolific author, esteemed scholar, designer, and a highly driven heritage enthusiast. However, though recognised by his contemporaries and successors alike, Deroko's design activity has not yet been thoroughly examined. Exploring residential buildings designed for Deroko's Belgrade clientele, this paper widens the knowledge of his architectural production. Deroko's well-known passion for architectural history and extensive research of the Serbian vernacular buildings serve as a starting point for the study of his residential structures in Belgrade. Was Deroko's design process influenced by his deep appreciation for architectural past, and by the results of his findings? Or has he only adopted the formal characteristics of historic styles and vernacular architecture in his work? If so, to what extent? Discussing five structures built in the interwar period - house of Colonel Elezović, the Rakić villa, the Simić villa, the Marinković villa, the Stakić villa and the architect's personal villa - the paper traces transformation of Deroko's architectural inspiration, from typical academic historicist eclecticism to vernacular construction.

Abstract:

The Kurdistan region is currently undergoing rapid change and development in many ways. The economy is growing, and the population is increasing. Adopting a modern lifestyle is influencing individuals and social behavior. These factors are collectively affecting the architectural styles and construction techniques of the buildings. Abandoning the vernacular architecture has led to a loss of locality. This research outlines the characteristics and elements of Kurdish vernacular architecture in Erbil city and the villages in mountainous area; it then analyses them in terms of sustainability. A descriptive method is adopted to identify the sustainable aspects of traditional building techniques and designs. Finally, the paper concludes that with developed construction regulations, some of the designs and construction methods of traditional architecture, with the right management, can be adopted in modern buildings.

Abstract:

The characters of facades' form of the Iraqi building after 2003 have been changed, it has been described by many names. The problem of the research is that what are the features of the characters of the form in the façades of the buildings in Baghdad city after 2003? Are the façade of the individual houses or the commercial buildings is the heaviest in the visual weight? The research aims to answer those questions by choosing the vernacular architecture as a measurement tool. It is the informal image of the architecture, which is built by people informally and spontaneously, without official control and legislation to be organized. This is smellier to what has happened in Baghdad, after 2003 according to previous study submitted by the same researcher (The phenomenon of trespassing the architectural design regulation in the Iraqi cities 2003-2016- case study Baghdad) the individual houses as a case study. The research method has dealt with the previous studies, and with the terms and the vernacular architecture in some Arabic countries. The research determines the features of the form's characters in the façades of the vernacular architecture in Egypt, Yemen, and Palestine as the generic features of the vernacular taste in Arabic societies. The researcher examines these features by checking list and Excel program and by selecting samples in Zayoona district after 2003 as a case study. The research's hypothesis has proved that the form's characters of local façades in Baghdad after 2003 are a rural vernacular. The facades of the individual houses have had the heaviest influences at the visual weight. The research has concluded that the characters of the vernacular architecture's form have common and basic styles among societies. when it has manifested in cities, showed their architectural style and identity, it indicates a decline in both architectural style and identity. The heavy influences of the visual weight in Iraqi architecture after 2003 depends on the decoration included two types: the rhythmic and geometric decoration, being important elements in the facades.

Abstract:

Sustainable building, use of local materials, responsible use of soils, re-use, adaptability to climate, are all concepts that became worldwide part of the vocabulary of contemporary architectural design since the energy expenditure in the construction sector has proved to be of such magnitude to be unsustainable in the medium and long term. Yet these are the basic concepts that have always been considered as being of vital importance in vernacular and spontaneous building throughout the world. The great variety of shapes, typologies and materials used were always the optimal response to local social-, weather-, religious conditions and example of essential and efficient use of resources. Buildings were, throughout history, mostly set according to three basic principles: climatic-environmental, socio-cultural and socio-economic. The specific local variations of each of the three principles have generated buildings able to fully respond to the identified needs. This contribution aims to highlight how the lessons taught by vernacular architecture can inspire contemporary architecture and how a reinterpretation of the vernacular heritage can become our challenge for the future.

Abstract:

Morocco faces tremendous climate constraints; the climate is hot and dry in most parts of the country, and when selecting an energy-saving approach, the architectural landscape becomes essential.Designer and building professionals seem to have neglected this large-scale integration. Sustainable development programs in terms of sustainable architecture are ongoing in countries around the world. One part of this trend is the growing concern shown in the high environmental efficiency of vernacular architecture. It is within this prescriptive framework that this research study is being conducted, which reveals novel architectural style integrating thermal comfort, energy efficient characteristics, passive solar elements architecture, and construction techniques inspired from the vernacular Ksourian architectural configurations. The goal of the present research study is to identify features of energy efficient vernacular architecture and thermal performances that affect indoor thermal comfort conditions for adaptation to current lifestyles in modern architecture. The key characteristics developed are; built mass structure, building orientation, space planning, availability of s, building techniques, and new coating materials for manufacturing and roofing. The suggested methodology enables to analyze the thermal performance analysis, applying an experimental research using experimental testing measurement and comparative optimization processes for thermal efficiency and comfort evaluation of a traditional vernacular earthen house.Series of experimental thermophysical characterization measurements have been carried out in order to quantify on a real scale the thermophysical properties that characterize the Rissani earth. Thusthermophysical characterization results are operated as input data for the thermal dynamic simulation for the purpose to evaluate thermal performances and comfort under the weather conditions and control natural comfort in both summer and winter, without using heating or cooling systems. Ultimately, the simulations carried out make it possible to identify the optimal orientation, revealing an effective decrease in interior temperatures during summer and providing good thermal comfort in winter.

Abstract:

Lake Toba is the largest lake in Indonesia, even in Southeast Asia. Lake Toba has excellent potential as a tourism area development in North Sumatra. On the outskirts of Lake Toba, especially Paropo, there are still many who do not have facilities for tourists, the large number of tourists who come to Paropo causes the Paropo area to need supporting facilities such as resort hotels as supporters of North Sumatra tourism development. Resort hotels are hotels located in tourist attractions, such as mountains, beaches, and lakes. The design of the Paropo resort hotel applies the Neo vernacular architectural concept. The problem with this design is "how to apply the neo vernacular architectural concept to the design of a resort hotel." The purpose of applying the concept of Neo vernacular architecture in buildings is one of the efforts so that it is inseparable from the surrounding culture and can also introduce regional culture to the tourists who come. Designing this resort hotel uses qualitative methods. This resort hotel brings the theme of Neo vernacular architecture that combines traditional Dairi/Pak-Pak architecture with modern architecture, where physical elements are applied/changed but also non-physical items such as cultural values, mindset, beliefs, layout, religion, etc. into the form of buildings and site design. The benefit of designing this resort hotel is the creation of resort hotels that can still preserve the elements of local culture with a layer of modernization and, if built, can develop the tourism area of ​​Paropo to attract tourists.

Abstract:

Much of the world, is currently experiencing intense growth, especially in and around cities. Most conventional practitioners of modern design and construction find it easier to make buildings as if nature and place did not exist. Cars and factories might be thought as the most obvious enemies of the environment, but buildings consume more than half the energy used worldwide. Attempts to destroy building traditions have been associated in some countries with a drive to modernize. Beyond the traditional aspects of dwelling, the impact of globalization and its effect on rural economies, environmental problems, rapid urbanization and the unprecedented scale of housing problems which confront the peoples of the world in the twenty-first century, bring a new urgency to the study of the vernacular architecture in a sustaining sense. In this work, the concept of “sustainability” will be taken into consideration especially within the building scale. Vernacular architecture in the past produced a built environment which met people's needs without deteriorating the environment. This paper discusses the concept of sustainability in building design and connects it to the vernacular architecture with the search of the vernacular Antiochia houses as a sample; focusing on its architectural properties in detail. The study concludes that what is expected of architects in the current century is, wherever they work, they are to understand and digest the nature of climate, history and culture, that is to say, to obtain inspiration from the essence of place and to contribute to the creation of relevant architecture and city for a sustainable future.

Abstract:

Architectural drawings, which are projections of spaces on a paper surface, can be categorized according to the projections’ directional and temporal relation with the represented space. A projection becomes a documentation when it departs from an existing spatial organization for recording it on paper. The projection serves the design process when it departs from the present to foresee a spatial proposal in the future. While the former records the present within limited interpretive range, the latter is more constructive. While these two types of projections are known widely, there is another highly interpretive type of projection, the potentials of which, are generally underestimated. As the architectural historian’s tool, this third projection type represents bygone architecture. The task of this drawing, which is one of the least questioned issues of architectural history, is to restore an incomplete image by referring to material and textual sources. This drawing type contributes to the methodology of architectural historiography while conceiving, explaining and representing space.For illustrating this situation, this study analyzes the vernacular settlements and their environmental integration because this selected context reveals the interpretive nature of the third type of projection in a successful way. In this framework, the cut-away axonometric is considered as an appropriate drawing method for uncovering the integrity between architecture and its site or culture and nature. The outcome of this theoretical insight into the prolific relations between drawing and architectural history is coined as “environmental representation.”In history architectural products have been integral components of the environment. Then, the architectural representation of historical buildings through drawings becomes critical since the majority of architectural drawings tend to isolate buildings from their environment. This conventional representation of historical architecture has been the dominant tool of typological analysis. Typology, which is intertwined with plan drawings, categorizes historical buildings according to their spatial, structural and material organizations and disengages the buildings from their socio-cultural and environmental context. If this methodological problem of typology is regarded as a problem of drawing, a new mode of “environmental representation” can be proposed.This study proposes “environmental representation” of architecture through cut-away axonometric. This graphic proposal is based upon the theoretical references of “environmental aesthetics”, which is an interdisciplinary field analyzing the participatory human engagement in environment. “Aesthetics,” as a term, defines this bodily engagement into environment through the use of all human senses. In this theoretical framework this study challenges the assumptions of scientific theory for architectural representation of the “abstracted object” and proposes an alternative method of “environmental representation” on the basis of “aesthetics”. Within this scope, the proposed cut-away axonometric drawings produced by the author is analyzed in order to represent exemplary historical contexts of architecture selected through the vernacular settlements of the Anatolian Mediterranean.

Abstract:

<p><em><span lang="EN-US">Bali is a gathering of tourist who come from all over the country. Because of this, a mixture of cultures emerged on the island ranging from lifestyles such as clothing, language, food to architecture, so that over time Balinese architecture became faded. To prevent this, it is necessary to preserve traditional Balinese architecture by applying traditional forms of architecture to new buildings, especially the theater (as buildings that become icons of Balinese culture). The theory chosen was traditional Balinese architecture, contemporary theater provisions and neo-vernacular architecture. The method used to trace the case is descriptive qualitative by taking important aspects in neo-vernacular architecture as a meeting point between traditional Balinese architecture and neo-vernacular, then these aspects are used as a benchmark in the design transformation from what was originally a small span building to a wide span with a theater function. The study results obtained are guidelines and examples of the application of Asta Kosala-kosali in contemporary theater on spatial, roof, body and foot structures of Balinese architecture and the combination of Balinese architectural tectonics in contemporary art theater. This journal has a high urgency because at present there are many functions that require wide-span buildings, so that Balinese architecture can be applied to buildings without eliminating the culture or noble values in it.</span></em></p>

Abstract:

Built environment is a function of man-made setting, surroundings, conditions which is the center of human activity in architectural places. The integration of nature into the built environment determines the urban or the rural form of settlements. The present research aims to specify architectural morphology of sub-tropical region through a case analysis of the situation in Pakistan. The field study analyses the existing housing stock in Pakistan, in urban settings and as a result of vernacular traditions in the villages. The paper identifies the regional characteristic behaviour of highland, lowland, coastal and arid region. It gives an overview of the current urban housing situation in Pakistan. It discusses the type of housing unit, the occupant behaviour, lifestyle of the people, It also identifies the pattern of energy used within the residential buildings of Pakistan. The architectural planning in urban and rural regions, their long term passive design techniques to cope with the climate challenges of a particular area have been discussed in detail. The paper recommend some contextual and adapted passive features of vernacular architecture in urban houses. Keywords: Architectural-morphology, Urban, Housing, Vernacular, Passive Design, Built Environment

Abstract:

Abstract. Environmentalism as the overall concept of ecological architecture is defined as the inter-relations between people, and how built forms affect the surroundings through design, reflecting the impact of technology, human principles of living with nature, and of social connections in communities. Modern ecological designs have smart solutions in planning climatic zones, with optimised natural lighting to lower energy use, and reduce wastage. Passive thermal comfort methods and spatial alignment of buildings to sun orientation have brought the ideals of organic architecture full circle since the “sparse and scarce” principles of technological design limitations guided vernacular urbanism over time. Today’s modern buildings, abstracted from mass-produced designs, are shaped to trends and tastes, bringing attention to the artificial materiality of architectural forms and the hidden costs of innovations. To understand the relevance of sustainable strategies in developing critical regionalism, this paper reviews the scope of ecological architecture principles application for temperate climates, and examines the viability of strategies as passive cooling, thermal comfort and greenery-based ventilation. Through case study discussions of two Malaysian eco-architectural designers, Ken Yeang and Kevin Mark Low, it will also be argued that the spirit of nationalism and cultural regionalism can be integrated effectively into urban built forms.

Abstract:

The acceleration of the modernization process has promoted the improvement of rural residential construction technology and efficiency, but the rural buildings have not inherited and developed the regional traditional characteristics on this basis, instead, there has been a blind trend of urban architectural styles in different regions, resulting in a phenomenon of the homogenization of development. The design of qianmota post station uses the typological analysis method to excavate and inherit the characteristics of the local traditional buildings in Mingyue village, then combines the characteristics with new technologies and materials to restore the local architecture in the hearts of the villagers in Mingyue village. It is restored in two aspects: the architectural appearance of the traditional houses in Western Sichuan and the spiritual symbol of the church.

Abstract:

In today's world, sustainability is gaining importance primarily in architecture; it should be possible to build it sustainably in the tropics. An example of this is the vernacular architecture, local materials and an adaptation to the environment, which enable the design of outstanding dwellings, which do not rely on technical tools. Unfortunately there is a great imbalance in Bali, and the local population is still strongly dependent on the building of the vernacular. The tourism industry has created its own high-tech architecture. Apart from a few exceptions, the luxury tourism industry nowadays has to deal with climatic factors instead of adapting them. Now I would like to research in a case study which aspects make the Balinese house so adapted and whether these aspects are still valid for today's claims. Basically, I asked myself these four questions: What are the characteristics of a contemporary tropical house in Bali? What aspects make these houses a tropical house without a negative impact on the Balinese vernacular architecture? What architectural means can help to create a local identity? Which architectural instrument makes it possible to integrate into Balinese urbanity? I would like to try to answer these questions using the case study of two examples and my gained knowledge. Index Terms— sustainability, vernacular, architecture

Abstract:

Tongging is a village in the Lake Toba region that located in the District of Merek, Karo Regency. Tongging Village is famous for its panoramic beauty and the local potential of agriculture and fisheries. With various potentials owned by Tongging Village, a place is needed that can accommodate this potential. Tongging Agrotourism is a place to carry local potential in Tongging Village. Agrotourism is designed to attract more tourists while developing the local potential in Tongging Village. Design with Neo Vernacular Architecture approach to re-apply local cultural elements to optimize their potential. The neo vernacular architectural approach process uses transformation and modifications methods to the physical and non-physical aspects. The architectural aspect adopted as neo vernacular approach is the Karo settlement pattern, circulation, mass, and space program. Tongging Agrotourism has various facilities that support tourism activities at Tongging Village, including rice fields and fish cages, main buildings, cottages, restaurants, processing plants, and research and development areas.

Abstract:

<p>Utilization of natural ventilation in buildings has a long history. Architecture has been trying to response to weather conditions all the time. Wind catcher, mashrabiya, portico and iwan are some examples of climate designs in vernacular architecture which have shown the importance of natural ventilation since a long time ago. The efficiency scope of natural ventilation when used with other cooling techniques will be more widespread. Today, designing desirable buildings using natural ventilation requires knowing theoretical foundations and a detailed study based on new knowledge regarding the feasibility of the use of components design and equipment related to natural ventilation. The present research aims to offer architects some design solutions in order to take advantage of natural ventilation in buildings using the vernacular architecture. Through matching features of functional spaces in local houses with climatic characteristics of regions around the Caspian sea (Mazandaran province) and determining the pattern used in these spaces in housing areas, the present study seeks to answer this question: “Are types of local houses in regions with moderate and humid climate in Iran (Mazandaran) consistent with regional climate in terms of patterns applied in internal functional spaces? How do regional climate features affect physical form of houses?”</p><p>The results show that there is a direct and consistent relationship between vernacular architectural features of Mazandaran province and climate classification and regional climate. It also enhances home comfort in summer and finally, it can be concluded that local houses are built based on the climate classification and environment context, and natural ventilation is the most important factor affecting the conditions which improve environmental comfort. The present research provides some guidelines for the architectural design of residential buildings in regions with moderate and humid climate with the aim of achieving maximum level of natural ventilation. Also, in order to exploit the potential of natural ventilation, the results of the research will help architect select optimal designing parameters in harmony with the regional climate. </p>

Abstract:

Utilization of natural ventilation in buildings has a long history. Architecture has been trying to response to weather conditions all the time. Wind catcher, mashrabiya, portico and iwan are some examples of climate designs in vernacular architecture which have shown the importance of natural ventilation since a long time ago. The efficiency scope of natural ventilation when used with other cooling techniques will be more widespread. Today, designing desirable buildings using natural ventilation requires knowing theoretical foundations and a detailed study based on new knowledge regarding the feasibility of the use of components design and equipment related to natural ventilation. The present research aims to offer architects some design solutions in order to take advantage of natural ventilation in buildings using the vernacular architecture. Through matching features of functional spaces in local houses with climatic characteristics of regions around the Caspian sea (Mazandaran province) and determining the pattern used in these spaces in housing areas, the present study seeks to answer this question: “Are types of local houses in regions with moderate and humid climate in Iran (Mazandaran) consistent with regional climate in terms of patterns applied in internal functional spaces? How do regional climate features affect physical form of houses?” The results show that there is a direct and consistent relationship between vernacular architectural features of Mazandaran province and climate classification and regional climate. It also enhances home comfort in summer and finally, it can be concluded that local houses are built based on the climate classification and environment context, and natural ventilation is the most important factor affecting the conditions which improve environmental comfort. The present research provides some guidelines for the architectural design of residential buildings in regions with moderate and humid climate with the aim of achieving maximum level of natural ventilation. Also, in order to exploit the potential of natural ventilation, the results of the research will help architect select optimal designing parameters in harmony with the regional climate.

Abstract:

This research extends Hasan Fathy’s (1986) principle of vernacular architecture by focusing on the Rawshan through an investigation of two criteria: aesthetics and energy efficiency. The paper discusses the views of both the Saudi public and key decision-makers on reviving vernacular architecture in the context of Saudi Arabia’s rapidly developing economy, characterized by relatively high rates of energy consumption and CO2 emissions. This research explores (a) the interaction in domestic buildings of Saudi occupants with their windows, and how these are perceived as an interface with the external environment; (b) awareness and knowledge of the use of shading elements (such as Rawshans) to reduce the use of artificial lighting while maintaining indoor privacy; (c) Saudi awareness of, and familiarity with, the Rawshan as a vernacular element and a secular architectural tradition; and (d) Saudi views on the revival of traditional architectural elements with a focus on the Rawshan. An online survey (n = 812) was conducted across Saudi Arabia complemented by interviews with expert decision-makers (n = 23) to (a) assess criteria such as privacy, aesthetics, daylight, ventilation, and energy consumption in Saudi residences and (b) investigate the level of acceptance of an optimized retrofitted Rawshan design.

Abstract:

This study gives an overview of contemporary vernacular tendencies in Thai architecture. The research includes ecological, economical, ergonomic and cultural aspects, and the aim is to find a possible future direction for architectural design that is able to incorporate local features and follow traditions yet apply them in a contemporary way. As an example, a case study was carried out about a project realized in Safe Haven Orphanage in Thailand. It consists of two small-scale buildings designed and constructed by TYIN Tegnestue Architects, Sami Rintala and Hans Skotte, together with volunteers and the local community, and they are great examples of a community building “healing architecture”. Due to their aesthetics, their ecological and sustainable approach and their structures, they can provide cultural continuity, which is key for the organic evaluation of regional architecture.

Abstract:

Sustainable architecture is a well-known and studied subject for severeal decades. The environmental awareness of professionals has put sustainability in the center of the profession of architecture and has resulted in introducing and implementing ecological designs both in the scale of buildings and cities. This article presents sustainable architecture criteria, reckons regional aspects, interprets vernacular architecture and, proposes sustainable housing unit models for Mediterranean region, specifically Cyprus. The article intends to study existing researches regarding the subject, reveals and updates key aspects on sustainable housing by focusing on the passive solar systems through proposals. The article contains proposals of an experimental and conceptual approach of a group of graduate studio course students who are architects and interior designers. The conceptual approaches of design proposals are sustainable through the usage of local materials, orientation, usage of passive solar systems, natural ventilation and lighting, hence these proposals are intended to create a diversity. In that sense, this article presents possibilities of ideal plan layouts and facades for sustainable architectural housing units in Mediterranean region, Cyprus, based on the revealed key aspects on sustainability. The originality of the article is on the design proposals that take inspiration from the characteristics of vernacular architecture, but show a contemporary approach of design.

Abstract:

The energy crisis in 1970s and environmental problems following that affected many human activities and caused the field of architectural design, as one of the factors contributing to the high consumption of energy, to face a difficult challenge. Hence, the issue of environmental protection, the need for future generations and enjoying free energies, proposed a new concept as "sustainability" in all sciences. According to the studies conducted, the principles of sustainable architecture have been partially met in many of our local and traditional buildings. The main aim of this study is to investigate the concept of sustainability and describe its relations with the vernacular architecture of Iran. In this regard, this study is supposed to give an appropriate response to the problems raised using library research and analytical-descriptive method; and finally by investigating and analysis of various specifications sustainable architecture, to provide design principles of sustainable architecture in the current era.

Abstract:

The purpose of this study is to reevaluate general theoretical and practical interpretation of vernacular architecture in Serbia in the 19th and the first half of 20th century. This incorporates the understanding of vernacular architecture in a wider context, through interpretations of various authors, who do not only observe its design value, but also the cultural and spiritual values. Since vernacular architecture cannot be recognized as a singular discipline, but within the area of many disciplines, the wider interpretation is mandatory. Although celebrated and recognized as archetypal, vernacular architecture in the studied period is fading away and gradually disappears, faced with modern building techniques and architectural styles, brought by formally educated builders. The goal of this study is to examine the processes within which mentioned transformation is occurring and, accordingly, to understand the vernacular architecture which developed in practice. Since vernacular architecture in Serbian historiography has up to now only been examined in the context of traditional rural architecture, or of, so called national style, the main premise of the study is to offer another approach to this kind of creation, so as to examine and critically view the recent dominant understanding of application of vernacular principles and elements in the architecture of the mentioned period.

Abstract:

Over 50% of the total energy consumed by buildings in a hot and dry climate goes toward the cooling regime during the harsh months. Non-residential buildings, especially houses of worship, need a tremendous amount of energy to create a comfortable environment for worshipers. Today, mosques are regarded as energy-hungry buildings, whereas in the past, they were designed according to sustainable vernacular architecture. This study was aimed at improving the energy performance of mosques in a hot and dry climate using bioclimatic principles and architectural elements. To achieve this aim, a process-based simulation approach was applied together with a generate and test technique on 86 scenarios based on 10 architectural elements, with various arithmetic transition rates organized in 9 successive steps. Starting from a simplified hypothetical model, the final model of the mosque design was arrived at based on a holistic bioclimatic vision using 10 architectural elements. The findings of this research were limited to a specific mosque size in a hot and dry climate, but the proposed holistic bioclimatic concept can be developed to take into account all mosque models in several harsh environments.

Abstract:

This paper examines how growing conservatism among Muslims in Malaysia has been manifested in the architecture and urban design of Putrajaya, Malaysia’s new capital. Rather than drawing on vernacular design traditions or developing a design idiom that recognises a religiously and ethnically diverse population, the state has recently adopted a fantasy Middle Eastern style for secular national buildings in Putrajaya. In this paper, recent architectural change is examined as a manifestation of social, political and religious trends as well as a demonstration of how Putrajaya’s design can reinforce existing social hierarchies and legitimise the ideological agenda of the state. It is suggested that there are various reasons for the adoption of ‘High Islam’ that relate to broader transnational religious change, Malaysian identity politics and nation-building, and lingering influences of the colonial occupation.

Abstract:

This journal is about the design process of Resort Hotels located in Tongging by adopting a Neo Vernacular design approach into the building. The problem in this design process is how to apply the Neo-Vernacular architecture approach to this Resort Hotel building. How to create comfortable outdoor and indoor space for visitors to the tourist area?. How to choose the right material according to the current temperature and conditions, so that it can support the character of the building. The purpose of this design is to apply the Neo-Vernacular Architecture approach to the Tongging Resort Hotel building by looking at the locality context, and designing the out and inside spaces that are comfortable for visitors by uniting indirectly between both areas. Choose the right material according to the temperature and existing conditions, to support the building's character. The methodology carried out in this design was location survey (physical data collection), comparative study, literature study, data processing, conceptualization, schematic and arrived at the final design. The discovery in this design is to design a building that is in an area that has strong locality must do research and analysis to get the concept that is suitable and can be received by the surrounding community and visitors. The author also found that the selection of building materials should source from the site location. For general people, this design is useful as a reference to help similar design buildings.

Abstract:

Local wisdom in an architectural context is part of cultural heritage, passed down from generation to the next generation and gone through a long process of gaining community recognition as a reflection of the region's culture, also known as vernacular architecture. Vernacular architecture can be found in almost every region, as is the city of Medan. Medan city is famous for its culture, especially its Malay culture, formed by the Sultan of Deli's influence so that Malay Deli emerged. In its formation, aspects of the creation of vernacular architecture also influenced the development of Malay Deli, mainly traditional houses. These traditional houses is visible from one of its forming aspects in the form of technical aspects such as building structure systems. This study discusses the characteristic of system structure in the Malay Deli traditional house and aims to identify and examine these problems. This study adopted a qualitative descriptive method approach to collect and analyze data so that the results obtained in the form of technical aspects of the structure of vernacular building structures from traditional Malay. This study's findings are a reference source for traditional Malay houses' vernacular architecture, specifically Malay deli or design considerations.

Abstract:

Ecologically fit built form and settlement is an outcome of harmonious modes of interaction between the man-made and the natural environment. It is also the prerequisite of a sustainable planning and design process. In building terms, an ecologically fit building involves the existence of appropriate schemes of enclosures and exposures of indoor spaces which is achieved through fundamental building features like relations with the ground, properties of building mass, treatment of the building envelop and roof performance. While the debate on the conflicting aspects of the two extremes, namely the international style and regionalism, continues to occupy architectural media, a new paradigm of place dependent ecological architecture has to be formulated. In this connection it is not surprising to notice that vernacular built form based on building traditions are ecologically fit and may well constitute a sound source of information. This study aims at deciphering relevant clues to be utilized as design guidelines through the analysis of fundamental building features of vernacular built environments.

Abstract:

The environmental and social role of closed oriental balconies (Mashrabiyas) remains a significant vernacular aspect of Middle Eastern architecture. However, nowadays this traditional Islamic window element with its characteristic latticework is used to cover entire buildings as an oriental ornament, providing local identity and a sun-shading device for cooling. In fact, designers have reinvented this vernacular Islamic wooden structure into high-tech responsive daylight systems – often on a massive scale and using computer technology – not only to cover tall buildings as an oriental ornament, but also as a major responsive daylight system.It is possible to use the traditional architectural Islamic elements of the Middle East for problem solving design solutions in present-day architecture. The potential for achieving these solutions lies in the effective combination of the design concepts of the traditional elements with new smart materials and technologies. Hence, modern mashrabiyas could be a major responsive daylight system. Contextual information drawn from relevant theory, ethnography and practice is used to form a methodological framework for the modern mashrabiyas with high-tech responsive daylight systems. The main results set boundaries for the viability of computer technology to produce mashrabiyas and promote a sustainable way of reviving their use within Middle Eastern buildings.

Abstract:

Driven by our interest in sustainability, the vernacular architecture of Wales and a preference for ‘rational’ over wilfully expressive form, the determination to ‘build simply’ has become an abiding aspiration in the work of the Design Research Unit (dru) at the Welsh School of Architecture, Cardiff University. Established in 1998, dru aims both to apply the School's wider research to architectural commissions and to develop design as a medium of research in its own right. In this paper, various themes that recur in the Unit's recent work are discussed in the context of two current schemes that exemplify this research-based approach to design.

Abstract:

Expectations of traditional and contemporary buildings are different in terms of thermal comfort. Traditional buildings mostly achieve comfort through passive means, without HVAC support, but old levels of thermal satisfaction do not meet today’s expectations, although their passive thermal performances are notable for contemporary building designs. In this regard, the current study tries to investigate the possibility of comparing traditional and contemporary buildings’ construction techniques to achieve thermal comfort from an architectural point of view. In other words, is it possible to achieve passive building design by considering vernacular architecture principals as a reference? Likewise, how well can architects define insulation layers in contemporary construction surfaces in hot and humid climates? To this end, a dynamic, numerical, thermal calculation case study has been modeled in Famagusta, Northern Cyprus, to answer the above-mentioned questions. A mixed-use mode benefitting free-run periods is proposed and compared with a mode providing 24 hours of air-conditioning in different scenarios using the same initial settings. Thus, different floor-to-ceiling heights, insulation placements and indoor conditions have been tested separately in both winter and summer periods. The results show that thermal comfort can be achieved in free-run periods only during a limited percentage of the year. Furthermore, although increasing building heights may lead to a rise in the free-run periods, in contemporary buildings it increases the total energy usage of the buildings between 6% and 9% in the mixed mode. Therefore, vernacular architecture strategies are proper in their own context. However, this energy usage can still be controlled and optimized by such considerations as insulation material placement. In this regard, the best envelope properties for different building functions are proposed for application in hot and humid climates.

Abstract:

Tulou (or "Earthen buildings") is an age-old type of Chinese vernacular dwellings. It is recognized by its unique architectural style and ingenious structure adapt to mountainous regions in Fujian province. In this research, we investigated the largest round type-- Eryi Lou-- which is designated as one of UNESCO World Heritage sites in 2008. In this study, we made site surveys for the dimension and the computational fluid dynamics (CFD)-based simulations to predict the wind field of Eryi Lou. In the CFD analysis, we considered the incompressible isothermal turbulent airflow to examine the interaction of the natural ventilation effected by its unique shape. The results indicate that the traditional round earthen building has superior performances in natural ventilation. This study may lead to a better understanding to the advantages of vernacular dwellings, which could be used to ecological architecture design in the future.

Abstract:

This article focuses on the region of Central Timor, settled by the Atoni Meto people, who live in round houses built on the ground. There seem to have developed local peculiarities in vernacular architecture, which require the use of wooden materials of different size, shape and state of processing. Changes in local vernacular architecture were also induced by the recent availability of modern materials such as bricks, concrete and corrugated iron. The aim of this article is to explore how such building materials are used and whether they are/ can be integrated into local vernacular building traditions. Fieldwork conatining architectural survey was conducted in Timor in May 2004 in Maubesi, and in June 2011 near Soe and Nikiniki (villages None, Supul and Boti) and Kefamenanu (among others the villages of Fafenesu, Maslete and Tamkessi). Some of the materials seem to have a strong effect on the layout or design of the buildings, whereas in other cases, such effects are far more subtle. In some cases, the new materials are used to imitate the more traditional ones, with astonishing results, and often incorporating structural details from the older technology and traditional materials which are copied. New materials already influence the building due to their different, new properties, and designs are devised to adapt to these changes, which in the end result in an altered building. In other cases, there is no compatibility at all, and old forms and designs are abandoned in favour of a new concept supported by new materials

Abstract:

Kevin D. Murphy reexamines the introduction of European modern architecture in New England during the late 1920s and 1930s. Emphasizing the importance of regional vernacular forms to the reformulation and popularization of modernism, The Vernacular Moment: Eleanor Raymond, Walter Gropius, and New England Modernism between the Wars also highlights Raymond's pioneering role in this process. A decade before Gropius associated modernism with New England's vernacular building tradition in the choice of materials for his own house in Lincoln, Massachusetts (1938), the design of the Cambridge School of Architecture (1928), to which Raymond contributed, had brought together modernism with both industrial and domestic vernacular idioms. Closely analyzing the architecture and written statements of Gropius and Raymond, the article explores how the architects grounded their modernism in tradition and created well-publicized buildings that served their pedagogic purposes.

Abstract:

This paper starts from the concept of low-carbon building, aiming at the high carbon dioxide emissions in Chinese construction industry; by way of surveys and researches, it discusses the scientificity of the shape, the construction materials, and construction mode of traditional vernacular architecture. Combining current advanced technology of low carbon emissions, this paper studies the main methods for villages and towns to start low carbon architectural design in the future.

Abstract:

The increasing concern expressed by building designers in Panama, due to new building-energy regulations, regarding sustainable development goals and energy efficiency, is leading architects to reanalyse their design strategies and evaluate the vernacular architecture. The main implications of the hot-humid climate characteristics stipulate that the need for cooling of indoor environments drives buildings’ design and settlements. This work aims to assess the use of bioclimatic architecture strategies in three existing building typologies design in Panama, in terms of thermal comfort performance. The approach adopted here is to compare and analyse the vernacular architecture with current architecture. Besides, to evaluate bioclimatic architecture strategies based on recent investigations and the guidelines proposed by Givony, Olgyay, among others. A numerical assessment was performed on the dynamic simulation software DesignBuilder, where the building’s passive strategies are evaluated in terms of operative temperature, relative humidity (rH), PMV, PPD, and discomfort hours (DH). All three houses, the HVA, HCA, and HRES were tested in three different locations within Panama City. Results showed that the strategies in HVA perform best for reducing rH levels, but the HRES performs best in overall thermal comfort performance, apart yet from the high rH levels encountered.

Abstract:

As a newly formed concept, “Biophilic design” is attracting a growing attention among both practitioners and academics. However, the link between biophilic design and vernacular architecture has yet to be thoroughly explored, especially in the context of China, which is the gap this article aims to fill. Investigating the vernacular architecture of the Naxi, this research found that biophilic design attributes and features existed in vernacular buildings and settlements. A matrix framework was developed to facilitate the in-depth investigation of the interrelated elements of the Naxi such as local climate, topography, culture, their belief system, conventions, arts and literature. Among other results, we found that the local culture was influenced by animism and distinct cosmic models. Also, the buildings were constructed using the traditional ways of material preparation and conventions of occupancy. This research serves as an important springboard to bridge between studies in biophilic design and studies in vernacular architecture and settlements.

Abstract:

Islam is a way of life, and this has been reaffirmed through Al-Qur’an (the Word of God) and Al-Sunnah (the behavior & speech of Prophet Mohammad (PBUH); so the early traditional Muslims house follows certain Islamic principles as guidelines in architectural design. As a way of life, then the house should provide a complete living web that reflects the lifestyle of Muslims. An “Islamic house” means a house with the values of Islam which is started from good intentions, clear philosophy and then conceptualized until the completion and construction of the building. Referring to the history of Islamic architecture in the Islamic world, different styles could be seen in different regions as each particular region used its own indigenous regional from which was influenced by the interchange of culture traits, administration and intermarriage. Indeed, even the vernacular techniques, climate and local materials, also influenced the form of Islamic house architecture, which will be discussed in this paper through many examples of the traditional Islamic houses. This paper discusses aspects of architectural concepts in the early “Islamic house”. There are indeed many lessons to be learned from this concept and design. On the other hand, aspects of the Islamic concept of architecture is absent from almost all modern houses in the Islamic world for many reasons: rapid development, use of foreign materials, design methods, and construction systems all contribute to the absence of sustainability and spirituality in modern buildings. The aim of this paper is to illustrate the concept of the Islamic house and amplify awareness and implementation of Islamic measures in the design, construction, and education of architecture.

Abstract:

Within cultural landscapes, there exists vernacular architecture that is characteristic in design of its region, construction techniques and materials, but is currently rarely used. Anatolia, a region that encompasses various regions with differing climates and cultures, is considerably rich in architectural splendor. In Southern Turkey, a part of Anatolia, vineyard houses in the Mediterranean Region’s Bucak Borough of Burdur Province are prototypical authentic vernacular architecture samples. Vineyard House use is becoming obsolete and these structures are disappearing. These vineyard houses are a cornerstone of the culture that built them, yet they have not attracted sufficient attraction in literature. Examination of sample relief works of vineyard houses within the borders of Bucak Borough placed their importance in an ecological context. Our goal is to ultimately protect these structures for both planning principles and to preserve the material, construction technique and cultural landscape to make vineyard houses usable to summer vacationists coming from the Antalya Province. This study is to ensure the vernacular architecture of vineyard houses in Bucak, they do not have any official protection status, are processed into literature, and to be a guide to any new designs. Vineyard houses’ have ecological properties in the framework of ecological criteria encompassing regional architecture, settlement structure, building form, place organization, and material choice.

Abstract:

This study explores the characteristics of a particular vernacular architecture, which is known as terraced housing. Terraced housing can be found in many different mountainous parts of the world such as the mountainous regions of Bahrain, Afghanistan, Pakistan, Greece, Italy and Japan, which have different environmental and cultural characteristics, and which were built in response to human needs according to the particular topographical conditions. Amongst the examples mentioned, Iranian terraced housing remains distinctive with its local richness and variation, constructed and designed according to the topography of the region. Accordingly the general overview of Iranian vernacular architecture and form is examined by focusing on the environmental factors of two specific Iranian villages. The identification of these villages is evaluated according to the topography, climate, urban pattern and spatial organization of Iranian terraced settlements. As a consequence, the analysis of case studies and data processing will enable decision makers, planners, architects and designers to become more aware of the existing architectural building tradition. The contemporary housing design problems can be solved by employing an appropriate method of design and building construction with reference to the present vernacular housing stock.

Abstract:

This paper discusses the development of design concepts for a row of typical bamboo houses, including the layout configuration and the function/aesthetics properties that are important from an architectural perspective. The purpose of this paper is to discuss the role of bamboo in investigations of structural and sustainability benefits and to highlight key research ideas that are important for industrialized production and cultural systems. The development of bamboo housing systems can advance efforts directed at securing home ownership for low-income families through lowering the construction costs to levels that are within their budgets. This paper aims to demonstrate approaches for using bamboo as a structural material for low-income and affordable housing. Bamboo housing can improve the financial stability and economic sustainability of low-income families. This paper presents a review of examples of vernacular architecture and building elements and then highlights the design of two bamboo-structure residential houses based on bio-climatic design strategies.

Abstract:

Conventional energy use has brought environmental problems such as global warming and accelerated efforts to reduce energy consumption in many areas, particularly in the housing sector. For this purpose, bioclimatic design principles and vernacular architecture parameters have started to be examined in residential buildings nowadays. Thus, the demand for less energy-consuming houses has started to increase. In this study, we aimed to specify the significance of traditional architectural parameters for houses in the hot-dry climatic region of Diyarbakır, Turkey. Within the scope of the study, a case was based on the urban fabric of the traditional houses in Historical Diyarbakir Suriçi-Old Town settlement and the Şilbe Mass Housing Area was discussed. The courtyard types, settlement patterns, and street texture of traditional Diyarbakır houses were modeled by using DesignBuilder energy simulation program for the case study. Annual heating, cooling, and total energy loads were calculated, and their thermal performances were compared. The aim is to create a less energy-consuming and sustainable environment with the adaptation of traditional building form-street texture to today’s housing sector. Development of a settlement model, which is based on traditional houses’ bioclimatic design for hot-dry region, was intended to be applied in the modern housing sector of Turkey. Moreover, adapting local forms, urban texture, and settlement patterns to today has significant potential for sustainable architecture and energy-efficient buildings. According to this study, the optimum form and layout of traditional houses, which are one of the climate balanced building designs, provide annual energy savings if integrated and designed in today’s building construction. As a result of this study, if the passive design alternatives such as building shape, layout, and orientation were developed in the first stage of the design, energy efficient building design would be possible. The study is important for the continuation of traditional sustainable design.

Abstract:

The debates about national and local architecture in Canada go as far as the construction of the first permanent structures. The young country had to invent its native architectural tradition and at the same time to mitigate European influences. Introducing the notion of longing – or nostalgia – into the debate on Canadian design and architecture this study argues that European grandeur, innovations as well as financial and cultural magnitude often played an important role in the desire to create artistic projects including public and residential buildings. The interest in the Gothic revival and the forging of the Neo-Gothic style can be tied to a nostalgic feeling for the British Isles (their land of origin) and also for the utopian notions of unalienated artistic production during the Romanesque and Gothic periods championed by British philosophers Augustus Welby Pugin (1812-1852) and John Ruskin (1919-1900). The cultural horizons of those who participated in the forging of the national style included both the notion of modernity and its opposite (the anti-modern), the dream of the new but also the dream of the old. The article argues that such a complex inspiration is at the core of any modernist production, for it brings together and blurs the modern and anti-modern, the old and the new, and by doing so, it generates constant innovation. At the core of forging the nationalist style, there is also a desire to incorporate European history and heritage, not to negate or reject it. Finally, it argues that Art Deco became the vehicle that helped to popularize the ideas of modernity propagated by avant-garde artists and architects.

Abstract:

Mediterranean architecture is considered the predecessor of the modern concept of “bioclimatic” sustainable design due to its climate reactive attitude (Coch H. 1996, Vissilia, A.M. 2009). Another aspect which renders it to be associated with the notion of modern sustainability is the employment of recyclable materials such as natural stone and wood. The vernacular architecture of Bodrum peninsula located in southwestern Turkey bears the typical characteristics of Mediterranean architecture. Since the 1970s, Bodrum has been attracting the attention of local and foreign tourists. The “architectural pollution” created by tourism facilities paradoxically devastates the natural and unique architectural characteristics of Bodrum which attract the attention of tourists. In this article, the primary focus will be the residential architecture in Bodrum due to its quite dominant typology among tourism facilities. However, the local building regulations aiming to protect natural values and architectural identity and the sensitive attitudes of some architects about preserving architectural identity and visual ecology can be considered positive aspects with regards to the harmonious architectural development of the region. Visual ecology seems generally more vital than biophysical ecology in terms of sustainable tourism economy, and tourism, is the most important sector in Bodrum. In a touristic region such as Bodrum, cultural and economic sustainability are interrelated. Today, research related to sustainability focuses primarily on energy saving and relevant technological inventions and as a result, issues such as cultural expression, contextual connection, identity formation, local differences and changes do not get their deserved places in the sustainability value setting. This paper aims to detect some clues about the outline of the residential architecture within the context of cultural sustainability in Bodrum in the light of residential architecture samples.

Abstract:

This study seeks to isolate a distinctive architectural tradition of the countryside in Italy through the examination of a single building type which served, over the course of its history, as both a country house for landowners and a farmhouse for tenant farmers. The hipped-roof block with central hipped-roof belvedere, apparently the invention of Vignola, appeared as a country house in Tuscany and Latium from the 1560s through the early 18th century. The sources of this building type reside in the local traditions of the countryside, castles, and farmhouses, and in the designs for country houses by several architects from the beginning of the 16th century which classicized, but still recalled, existing rural forms. The associations with both landowners and workers made it the preferred building type for the construction of new farmhouses under the land reforms of the late 18th century. This study of the development of a country house type and the characteristics of farmhouse architecture reveals that the two building traditions repeatedly interacted and that no clear distinction between monumental and vernacular architecture can be made, but rather that buildings in the countryside shared a set of symbolic forms particular to their setting.

Abstract:

Purpose The purpose of this paper is to investigate the underground levels of a city to explore how vernacular and historic underground urban facilities help traditional cities to be sustainable. Therefore, the authors look at how culture, climate and economy affect those facilities. Design/methodology/approach The paper focuses on vernacular and local underground urban facilities in historic cities to find more sustainable processes of urban development that integrate cultural, climatic and economical concerns into design planning. The paper is based on a case study of the underground infrastructure of Dezful, Iran. Findings There are several vernacular building styles around the world, especially in Iran, with different shapes, materials, arrangements and concepts. Building construction has significant impacts on the environment and natural resources. Dezful is a city in Iran with a lot of potential in terms of its architecture. Vernacular cities possess infrastructure that helped them thrive in harsh climates. For instance, Dezful takes advantage of a systematic infrastructure termed the “Underground City.” Originality/value The traditional architecture of Dezful plays an important role in creating underground spaces, especially urban and architectural elements with thermal isolation properties that can be used as housing and as food storage. In this century, building construction could adopt these environmental properties, which could lead to low energy consumption in urban environments. Considering traditional and contextual elements in urban planning and design could revive sustainable community practices in urban environments.

Abstract:

Abstract This study examines the influence of modernity on residential buildings as a new form of expansion built during the Jordanian Rule (1948–1967) outside the Old City of East Jerusalem. Through investigating a sample of houses, the study shows how building typologies, layouts and architectural characteristics depict and inform reinterpretations and adaptations of modernity. Unlike the modernity that emerged out of the western locus, these buildings do not ignore their vernacular roots but adapt to the Palestinian socio-cultural lifestyle, and at the same time borrow from the aesthetic and ideological characteristics of the modern idiom. Based on architectural documentation and ethnographic research, the analyses show that the peasants (Fallahin) made an important contribution to the adaptive modernity of residential buildings in East Jerusalem. The designs were influenced by some aspects of modernity but were also subject to local and cultural determinants. The study contributes to the literature on ‘other modernities’ outside the west, and to an architectural history that is informed by people’s private and individual experience rather than by those working in the profession. This is considered to be a neglected heritage that this article aims to redress.

Abstract:

Mount Sinabung is a volcano on the plateau of Karo Regency, North Sumatra, Indonesia. Mount Sinabung suddenly erupted in 2010. The last eruption of the volcano occurred since February 19, 2018, and until now become an attraction to find out more about volcanic disasters. Museum Mount Sinabung is present to provide the means for education, dissemination of information in the aspect of the volcano and geological disaster with recreative and educative of nature. The problem raised was "How to design a volcano museum using the neo-vernacular architectural approach?". By applying one flow that develops in this post-modern era to revive memories of a semi-historical culture, representational, plural and eclectic cultural Agenda on to evoke the Design of Museum Mount SinabungIn the application of the neo-vernacular architectural approach to the building of the Museum, the principle of building the Siwaluh Jabu is restored, physically and non-physically.By using the qualitative method of designing the Museum, it was designed because it was rational and planned systematically with the selected location. So, the Museum is conceptualized with a flexible gallery that can be used as a shelter for refugees. Thus, it is expected that the Museum can be a recreational-educational facility and as a means of supporting disaster mitigation.

Abstract:

Houses are fascinating because they seem to occupy a pivotal position in the spectrum of human construction. They are, perhaps, located right on the watershed between what is generally understood as ‘architecture’ and what is considered as just ‘building’. They allow us to probe the very definition of what architecture is perceived to be. Using the typology of the dwelling - and three examples from three architectural practices - we examine differing responses to context, climate and the vernacular, documenting and evaluating commonalities and differentials in design approaches. The examples are a holiday home in Dungeness by NORD, an artists’ residence and studio on Loch Fyne by GMA and a house on the Isle of Lewis by studioKAP.